La la démence des Folies (3) . Domaine de la Garenne-Lemot / le Voyage à Nantes, Gétigné (France)Site: dénormes Allée, Hippomedes et Atalanta (existing sculptures at the henchmen entrance, part du the original park design)resin, div. Paints et pigments, steel rope2 vases, each 0.8 voir ca. 0.5 cf 0.5 m

Vous lisez ce: La folie des arts nantes


Dimensions :
80 cm cf 60 cm cf 60 centimètre (Height, Width, Depth)Year : 2019Material : Installation
My work-related is focused conditions météorologiques site-specific installations pour public and private spaces - they can be indoors or outdoors, temporary or permanent.A reflection du the site et its particularities is always mien starting point. Soja each job-related is occurred in a fermé dialogue with auto architecture, topography, vegetation and history of the neighboring area.I recognize the terre not ont a background, but as a texture. The goal is, that my work i do not care a part de this organisation – in thé end, it should be unclear si it has constantly been there, si it will stay, échanger or disappear in the suivant second. Auto situation is ambivalent: Are thé elements falling jaune rising? Dancing or fighting? Is this a downfall jaune a victory? Both alternatives are conceivable at the same time. The questions ns put in mien work deal a parcelle with auto perception of time and movement– frequently my installations appear oui if a cinématicien has stopped à la a moment– a moment of “frozen time”.I’m intrigued de this transient thing, dubbed “moment” or “presence” – auto intangible du repos between past et future. Consequently i try to create a moment of irritation, par adding année element to thé scenery, which refuses to droit into auto expected order. Si something no behave as it should, within thé twinkling of année eye auto inner monologue it s okay interrupted. One “arrives here and now”, in a secret world, where bizarre things (including oneself) have a unique meeting. For this moment of irritation ns like to challenge je vous demande pardon is supposed to be “reliable”: auto laws de gravity, the solidity of walls or the floor under our feet. Oui once a viewer has put ce very well: there is always a “moment of catastrophe” in my work– cible also a moment of humour.
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Precarious times
Ephémères - art Contemporain du sud Dordogne, Couze (France)Site: facade of année ancient document millMaterials: foamrubber, wiremesh, cement, plaster, pigmentsCornelia Konrads, Installation

Kunstsammlung Nyffenegger, Arbon (Switzerland)Site: former industrial hall, next to other, comparable looking pillarsMaterial: foamrubber, plaster, wood, steelrope, paintCornelia Konrads, Installation

California State college Bakersfield, Artist in Residence, Bakersfield CAL (USA) Site: wall de the Fine art DepartmentMaterial: wood, metal, foam rubber, plaster, repaint . 2 pillars, each 6.5 cf 1.4 cf 0.8 mCornelia Konrads, Installation

Flugobjekte - international Kunstausstellung auf dem Weinberg Eining, Neustadt a.d. Donau (Germany)Site: se réconcilier vineyard, check out across the Danube rer Material: tree trunk, rubber, bench, paint Cornelia Konrads, Installation

Voir plus: Heure Creuse / Double Tarif : Calcul Heure Creuse Heure Pleine


Domaine ns Rayol - Le chantiers des Méditerranées, Rayol-Canadel-Sur-Mer (France)Site: bended cork oakMaterial: locale slate stones, cement, ironCornelia Konrads
Chemin d‘Art - bien sur d‘Art Contemporain, saint Flour, (France)Site: roundabout in between a highway and the old town of terne FlourMaterial: wood, corrugated fer à repasser roofboards, paint, windows, raingutter, antenna, flowerpotCornelia Konrads, Installation
SenArt en Forêt, Fontainebleau (France)Site: remains ns two door posts, structure entrance ns the forestMaterial: stones, iron, cementCornelia Konrads, Installation
Commissioned occupational for: base Carmignac, Villa Carmignac, Île ns Porquerolles (France) Site: Clearing. Composed of driftwood, gathered on the island"s coasts. Driftwood, metalCornelia Konrads, Installation
Blackwood Pathways - gravure in auto Wild, Lincoln MT (USA)Site: auditeur sculpture park, dried creek bed in a forest areaMaterial: lodgepole pine, weathered barn boards, steel ropeLength: 66 Feet (20 Metres)Height: 13 Feet (4 Metres)Cornelia Konrads, Installation
Art season 2019 - Domaine du Chaumont d’environ Loire / quartier général for Arts and Nature, Chaumont s. Lu (France)Site: les Ècuries (former pony stable)foamrubber, plaster, paper, div. Paints and pigmentsCornelia Konrads, Installation
La la démence des Folies (1) . Domaine ns la Garenne-Lemot / le Voyage à Nantes, Gétigné (France)Site: Colonne du Madrid (existing gravure / part de the original park designresin, div. Paints et pigments, metal6 coloumns, 3.7 voir 0.4 voir 0.4 m Cornelia Konrads, Installation
La folie des Folies (2) . Domaine aux la Garenne-Lemot / les Voyage à Nantes, Gétigné (France)Site: old stone bench under a bended treeresin, roots, div. Paints and pigmentsCornelia Konrads, Installation
La folie des Folies (4) . Domaine ns la Garenne-Lemot / le Voyage jusqu’à Nantes, Gétigné (France)Site: forêt clearingquoting auto typical local brick masonry (“Style Clissonais”)bricks, cement, metal, rope7 pillars, ca. 1.6. Cf 0.5 x 0.5 mCornelia Konrads, Installation
Site: bank of auto canal aux Bourgogne / harbour ns Migennes (France)wood, plastic containers, aluminiunCornelia Konrads, Installation
Private Commission, Reserva faire Ibitipoca, Lima Duarte mg (Brazil)Site: pasture nous a hillsideBuilt in auto way ns typical locale farmhouses making use of a classic clay wall technique (“pau jusquà pique”)Materials:wood, clay soil, straw, cow dung, cement, steel grid, rooftiles3.4 cf 2.8 x 6.5 mCornelia Konrads, Installation
Cahors june Jardins, Cahors (France)Site: public park in auto old town de Cahors, constitue herb garden of a monastery . Extension of a line ns flowerbedsMaterials:iron fence, roots, earth, plants2.3 cf 2.3 voir 0.8 mCornelia Konrads, Installation

Voir plus: Article 310 3 Du Code Civil, Jurisprudences Code Civil Article 310

Centre d‘Arts et du Nature, Domaine de Chaumont-sur-Loire (France)Site: forestborder, start of a narrow trailMaterials: iron, stole cable, branchesCornelia Konrads, Installation