Matthias et maxime xavier dolan

Quebecois movie housing Xavier Dolan burst onto thé scene v 2009"s "I Killed ma Mother," which hey wrote, directed, et starred in. Cette was 19 year old. The cinématique generated extremely abonde and facility responses. Some thrilled to his exuberant unfettered youthfulness, rather were placed off by his visuals, considered self-conscious et unconnected to auto narrative. There to be something exhibitionistic about Dolan (not have to a negative), ont well oui something eerily self-aware. Cette is both distant et present as année actor, and this perhaps came from his youth et beauty, as well ont his awareness of how his beauty beauty might impact others.

In "Matthias & Maxime," his eighth feature, Dolan, for the sapin time, looks into auto past, yearning pour the impulsiveness and explosive emotions of youth. At 31, he has some supprimer now. The éliminer causes the some problems in "Matthias & Maxime": hey falls back nous cliches, nous situations we"ve seen a hundred times before. Much du "Matthias & Maxime" is pedestrian to auto extreme, and there is a aperçu lack du character advancement across thé board, marqué the means Dolan chooses à frame things, auto visual choices he makes, the way cette revels unashamed in thé big-ness de the emotions, makes it année entertaining ride.

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"Matthias & Maxime" starts through a rowdy group of friends collection at a lake house to memory one du their birthdays. Thé guys space competitive, it"s all rough-housing et trash-talking, play board games et word games et occasionally nearly coming to blows. When these guys play a game, they mean business. Thrown into this mélanger is a young female filmmaker, that peppers elle sentences through English phrases (annoying this word-conscious bunch). Everyone resents elle presence. (The females don"t fare very well in Dolan"s films.) she ropes Matthias (Gabriel D’Almeida Freitas) and Maxime (Dolan) into acting in elle unfinished project. Elle wants lock to phat a scene where they room supposed à kiss. Maxime"s fine with it. Matthias is more uptight. Complicating this is auto well-known reality that auto two kissed once in high school. Old history, right? not at all. Your onscreen kiss reasons a typhoon du long-repressed emotions.

Matthias is an up-and-coming lawyer, on the verge de settling down through his longtime girlfriend. Maxime, on the différent hand, is planning to move venir Australia, largely to comprendre away from being thé primary caretaker ns his chain-smoking abusive mère (Dolan regular ah oui Dorval). Maxis has a birthmark spilling across auto side ns his face like a splash de red ink. Thé birthmark is most likely meant to be symbolic of something psychological—"Matthias & Maxime" is filled v self-conscious symbols—although what it could be I"m no sure. Maybe it"s supposed à be his inner le noir seeping with his skin, jaune some together literary conceit. Matthias is sauce soja freaked out de the kiss that before you sait it cette is going pour long emotionally-charged swims (accompanied par slashing anxious violins), or running with a snowfall, or retreating from his confused girlfriend. Maxis is gay, et not surprised par any of this, cible he is surprised and hurt by Matthias" withdrawal from auto friendship.

What is fun about all of this melodrama is comment it is presented without a noise of année ironic wink. Auto emotions peut être be operatic, but they space sincere. Thé torment is elongated, et yet ce comes from a actual place. It"s tous unrequited yearnings, unexpressed desire, body quivering to touch every other, et yet no able to. This is sexy stuff. "Matthias & Maxime" feels a little bit like fanfic, whereby fans, desperate venir make thé subtext du their favori work aller text, write libraries ns slashfic, imagining their faves finally hooking up. If you check out slashfic, you"ll recognize toutes les personnes the tropes, no to couvert the overuse ns the pathetic fallacy. Quel good is an operatic emotion si rain doesn"t pour from the sky? Why yearn à la your soulmate without loss leaves swirling around you?

The women in "Matthias & Maxime" space mostly stock characters et negative stereotypes. Thé older women room shrieking cackling witches, et the younger women are either gratingly annoying jaune wet-blankets conditions météorologiques the boys" fun. "Matthias & Maxime" is unabashedly around "the boys," and how they transaction (or don"t deal) with auto stuff swirling roughly in their relationships. Dolan ideologies much of this voyeuristically: the caméra peeks at auto characters, or looks at them native a distance, v door and window frames. In one scene, the caméra moves gradually away indigenous the coporation, groupe cavorting in thé rain before landing on a lit window, through which Matthias and Maxime deserve to be clearly seen, in a tormented and passionate clutch. Thé fear ns being looked at, exposed, seen is as powerful as the acknowledgment of how sexy cette is venir be looked at, exposed, seen.

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The performance are fine, back nobody really emerges as a three-dimensional character. Harris Dickinson, brillant in "Beach Rats" and "Postcards native London," appears oui a clients Matthias has been tasked to wine and dine. Dickinson"s character proclaims his heterosexuality loudly, boorishly, and yet his energy towards Matthias is undeniably flirtatious, causing Matthias, again, à tailspin. These scenes are really well-observed.

Dolan brings an interesting mix to auto table as an actor. He is cocky, aware de his "affect," hey is both there et not fairly there. Cette enjoys being conditions météorologiques display, marqué he additionally withdraws, pulling toutes les personnes towards him. This, à la me, is the most intriguing visage of his work. "Matthias & Maxime" has actually its silliness—all the torment, tous those swirling leaves—but ce also taps right into Dolan"s sensitivity à what turns him on, venir what hey finds erotic—all the peeking at every other, tous those électricité pauses and charged distances. In today"s periodically sexless environment, it"s a breath du fresh air.

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Sheila O'Malley

Sheila O"Malley received a BFA in théâtre from thé University of Rhode Island et a Master"s in acting from thé Actors studios MFA Program. Read elle answers à our Movie amour Questionnaire here.